It is now the time to reflect on the things that we’ve learned about misinterpretations. So what is it exactly that we should remember when making interpretations?
Remember to consider the information you collect when researching art works. If you are trying to interpret the art, be sure your research focuses on the work. Remember, we’re trying to interpret art and not Francesco Clemente.
Be sure that whatever references that are to be used in the interpretation truly connect with the piece. It is important to ask yourself whether or not the info explains the different aspects of the piece. This would be considered a positive approach towards proper interpretation.
Remember that each artist is different. In the case of Francesco Clemente, because his art is extremely personal, knowing about the artist is an important clue towards understanding his intentions. This is not the case for all artists. Some artist’s biographical information have nothing to do with their work. Biographical information about an artist should be questioned to see if it connects with the work.
No interpretations are 100 percent false, so long as they are put into appropriate contexts for the interpreter’s audience and logically argued. If you’re attempting to formalize your interpretation, consider your audience. Be careful when referencing your emotions. If you write about your feelings be sure to explain why they might be important. Be sure that your emotions don’t become the interpretation.
Symbolism can sometimes be a difficult thing to interpret, especially if you are unfamiliar with an artist’s chosen language of communication. In cases like these it is important to do further research. If that option is unavailable to you, write what you do know and understand. Be sure to answer why and how you came to your conclusion. Using that approach will demonstrate that you did not misinterpret the work, but instead it will defend your understandings.
Combined with all of the previous information, the most important thing you can do in your interpretation(s) is to have confidence. The process can be a matter of trial and error. Don't let yourself be discouraged if you find that your interpretation lacks further information or insight. Give yourself credit for your effort and keep trying. It takes experience to have an interpretation that harmonizes with the artist's intentions, the audience's perspective, and your own views and feelings of a piece. Even professionals make mistakes. The idea here is that when you are practicing criticism, rather than perfecting interpretations of subjects that are actually uncertain, you would instead focus on avoiding misinterpretations. This approach can bring a critic confidence and a sense of achievement.
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